Reviews

Marvel continues to destroy my childhood heroes within its universe. This time, one of the rather large quantities of this universe suffered. It's all the fault of a traitor from Earth who was trusted by Yautja...

A first look at Smile: For the Camera #1 An IDW comic strip about the world of Smile movies. The action takes place in 2005, the theme is the nightmares of the modeling business. At the same time, one should not expect any deepening or reinterpretation of the ent of the smiling entity. Screenplay: H...

So I got my hands on this comic book series, which reveals the past of the Gunslinger Spawn and is a prequel to his separate story. At first glance, based on the first problem I read, it seemed very gloomy to me, perhaps this is due to the manner of drawing. The plot of the first problem seemed very...

"Adapt or die!" "Al Simmons changed everything..." It was with great pleasure that I read this issue, which takes place in the same Spawn universe, but in the distant future. This interpretation of the Spawn character is just great. I really want to know how Peter Cairn transforms into the new armo...

It introduces Kara in a way that feels friendly and easy to follow, with clear art and a tone that does not take itself too seriously. It works as a fun starting point that lets you get to know the character before things get heavier.

This opening issue comes out swinging and wastes little time explaining what kind of story it wants to be. The setup is clear, the action is big, and the extra pages give everything room to breathe. It feels ambitious and confident, even if some parts are still coming together.

This issue turns up the action and keeps the story moving at a fast pace. A lot happens, and the sense of competition and chaos is easy to follow. It can feel busy at times, but it stays fun and sets up the next chapter well.

It does a good job of bringing the tone and emotion of the original story into a comic. It comes across more like a preview or sketch than a fully polished comic.

This issue keeps the story moving with clear action and steady tension. It adds a bit more weight to the pilots and their situation without slowing things down. A solid follow-up to the first issue.

This one-shot is a fun, laid-back comic that mixes familiar Street Fighter characters with Rival Schools in silly, energetic battles. It does not take itself seriously and keeps things easy to follow from start to finish.

This first issue sets the tone really well, focusing on the tension and danger of flying for the Empire rather than big heroic moments.

This issue continues the story at a steady pace and spends more time building the world and characters. The art remains strong and gives this version of Batman a distinct look and mood. There is less action than the first issue, but the quieter moments help shape the tone of the series.

This first issue is a fun and easy entry point, with a clear setup and strong visuals that make the danger feel real right away. The story moves at a good pace, introducing the hunt and the characters without getting confusing or heavy. Vader’s presence adds tension even when he is not front and cen...

This first issue makes the story easy to follow and exciting even if you know the movie well, with clear art and scenes that grab your attention right away. It sets up the characters and their goals in a way that feels natural, and the pacing keeps you wanting to turn the page. The emotion and stake...

This issue keeps things tense and focused, with clear action and a steady sense of pressure throughout. The flying scenes are exciting without being hard to follow, and the story does a good job showing how stressful life is for these pilots. Instead of feeling heroic, everything feels risky and unc...

The best Batman debut in years. Snyder strips away the billionaire fantasy and finds something raw underneath. Dragotta's art is ferocious. Essential reading.

This is exactly what I've been wanting from a Spider-Man book. A grown-up Peter with a family, only to find out the Maker stole his destiny? Such a great hook. Hickman takes his time with the character work and it pays off big time by the end. Checchetto's art is gorgeous too. Can't wait to see wher...

Geoff Johns is doing horror anthology and it works. Reis art has a real grit to it that fits the tone. A little uneven in places but the high points are very high. Excited to see where the larger Ghost Machine universe lands.

Deniz Camp is writing the best big-team superhero book on the stands. The Maker reveal worked, the politics around it work, and Juan Frigeri brings the kind of weight cosmic books need. Don't skip this — it's peak Ultimate.

Geiger ongoing earned its place. Frank's art is unmatched for post-apocalyptic vibes, and Johns is doing his Walking Dead-style slow burn. Lower stakes than the Unnamed event books but more satisfying issue-to-issue.

Snyder and Dragotta nailed the relaunch. The opening pages alone justified the hype — Bruce reframed as a working-class engineer in a world where Wayne wealth never happened. The Dragotta art is doing something different on every page. Already a generational #1.

Cates did the impossible — making me care about Thor again after the Aaron run. Klein's art has weight. The Black Winter setup is exactly the kind of "stakes feel earned" Marvel cosmic that I miss.

Messiah Complex Chapter Four delivers strong character tension and sharp storytelling that keeps the larger crossover moving with high stakes. While the art and pacing shine, it falls just short of perfection.

Hickman gets Peter Parker. Full stop. The pivot in this book — older, married, with a kid — and the rebuilt status quo is the boldest Spider-Man swing in years. Marco Checchetto's art is breathtaking.

Ewing knows exactly what kind of horror book he's writing. The opening gas station scene is restrained and brutal. Bennett's art makes you uncomfortable in the best way. Modern Hulk peaked here.

Tynion has written enough horror that he could phone it in — but he absolutely does not. Department of Truth is a paranoid masterpiece and Simmonds' art is a genuine event. Best new launch of 2020.

Sana Takeda's art is the reason. Liu builds a world dense enough you trust her with every twist. Issue one is a high-effort entry — it asks you to keep up — and rewarded everyone who did.

Hickman pulled off the impossible — soft-rebooted the X-Men without alienating anyone. Larraz is a revelation. The data pages are a swing that completely lands. The Krakoa era starts here and it's a hell of an opening.

I keep coming back to this issue. BKV's opening line is iconic for a reason and Staples just blows the doors off the first page reveal. The romance, the worldbuilding, the absurdity — every comic launch since has been chasing this.

Tom King and Mitch Gerads turning Mister Miracle into a meditation on depression, fatherhood, and capes is the kind of swing that wins Eisners for a reason. Issue one sets up the impossible question and earns every page.